Song: Ode to Billie Joe by Bobbie Gentry

 Place: Tallahatchie Bridge, Choctaw Ridge, Mississippi

The bridge over the Tallahatchie River
Lyrics passage And papa said to mama, as he passed around the blackeyed peas
'Well, Billie Joe never had a lick of sense; pass the biscuits, please.
There's five more acres in the lower forty I've got to plow.'
And mama said it was a shame about Billie Joe, anyhow.
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The bridge over the Tallahatchie RiverThe bridge over the Tallahatchie River
Your Honor, ladies and gentlemen of the jury, we are about to present the facts of what happened in and around the vicinity of Choctaw Ridge, Mississippi, on the day of April 22nd, 1960. These are the facts of the case, and they are undisputed.

We're just kidding, of course. To this day, there is not a shred of evidence to back up the events of the story told by Bobbie Gentry's 1967 smash hit "Ode to Billie Joe." To the amateur sleuths and wanna-be Agatha Christies out there: we're sincerely sorry to bust your bubble. But that's the point of Southern Gothic; to make you wonder.

Oh, sure, even though Bobbie Gentry is not her real name (Roberta Lee Streeter holds that honor), she really did grow up in Mississippi, and Choctaw Ridge, Carroll County, Tupelo, and the Tallahatchie River are all real places in Mississippi. There are, in fact, seven bridges spanning the Tallahatchie River, at least two of which are within reasonable distance of Choctaw Ridge. It would seem that all you have to do is go dredge the river for the body.

But, see, there isn't any real body. And, if you insist on taking every word of the song for the Gospel truth, then you also have to allow for the fact that the whole town is talking about the suicide of Billie Joe MacAllister, including the whole family buzzing about it around the dinner table. Presumably, nearly-identical conversations are going on all over town at every family's dinner table. The preacher, Brother Taylor, knows about it. This is not a cover-up. Everybody was seen in public, and the river would have already been dredged for the body, the body buried, and anything else that was thrown in the river would have been found, too.

People seem to have a hard time accepting the fiction of this song. In a world where novelists routinely fabricate hundreds of pages of made-up characters and events, why is it so hard to accept that a five-verse song is fiction? But then, Southern Gothic is like that sometimes. It's meant to be compelling and intriguing.

Seeing as how Goth culture gets so much attention and following in the United States, it is ironic that the Gothic style of that culture reflects the European flavor of Gothic, while we have our own home-grown flavor of Gothic which largely gets ignored. Southern Gothic is a fiction style that takes classical Gothic character and situation types and superimposes them onto Deep South American culture, particularly in the nineteenth and twentieth centuries. A dash of the grotesque is mandatory. Works which fit into the Southern Gothic genre include novels such as Harper Lee's To Kill a Mockingbird, and John Kennedy Toole's A Confederacy of Dunces, and films such as Deliverance and Wild At Heart. Most American horror is Southern Gothic style.

Bobbie Gentry's "Ode to Billie Joe" is a very artful work of the Southern Gothic style. The story implies much, much more than is told, leaving the listener with more questions than answers by the end. Clearly, something is not quite right, and furthermore it is going on under everyone's nose, with only the singer knowing the rest of the story and keeping her secret. That's how Gothic works; you don't show the monster. You keep the door locked and suggest that there might be a monster behind it. When Sinead O'Connor did her cover version, she punctuated the line "and she and Billie Joe was throwing somethin' off the Tallahatchie Bridge" with the sound of a baby crying is missing the point.

Because you were already imagining something even more dreadful.
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COMMENTS: 30pages [ 01 ] 02 03 04 05 06 07 08 09 10 >

Shari from CincinnatiSpoiler ALERT! He jumped off the bridge because he was having sex with that "nice young preacher" He was gay which was not good back then
anonymous from USI suspect the song is really about the 14 year old boy, Emmett Till, his body was found in the Tallahatchie River, after he was beaten, mutilated, and murdered on August 28, 1955. Emmett Till was spending the summer with his great uncle, brother-in-law, and cousins, and had entered the Bryant Grocery Store in Money, Mississippi. What happened at the store is disputed. Bobbie Gentry was born July 27, 1944, so she would have been just 11 years old, I'm sure it made a big impression on her, even though she was not directly involved in the tragedy.
Sandra Gsrner from WestPoint Mississippi I wish they would make a sequel to the movie now and try to find out what happened after 50 years!I saw the movie when it first came out in 1976! Ever since then I wanted to go to Tallahatchi and see that Bridge!Miss Bobbie Gentry thanks to you you made Mississippi famous again besides Elvis Presley and even nade a movie about Mississippi! Wold give anything to meet You!
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 Video: Ode to Billie Joe

 Place: Tallahatchie Bridge, Choctaw Ridge, Mississippi


Song : Ode To Billie Joe

The story of how this song was recorded is rather opaque, complicated by lawsuits and by Gentry refusing interviews after she left the industry. The song is comprised of just Gentry's voice, her acoustic guitar, and a string section. Her voice and guitar were likely recorded for her demo, which she did at a studio with a singer named Bobby Paris at the controls - she did some work singing backup and playing guitar for Paris, and he let her use studio time in return. Capitol records used this demo version (possibly edited down), and hired the arranger Jimmie Haskell to add a string section. On May 24, 1967, he recorded the string section at the end of a session for a group called The Checkmates, Ltd.

Where this gets sticky is the producer credit, as Gentry's voice and guitar from her demo were used on the hit recording, and Bobby Paris could claim that he was the "producer" of those sessions, even if he was just pushing the record button. After the song became a hit, Paris took legal action, and in 1975 was awarded $32,227 along with a share of future mechanical royalties.

Album : Ode To Billie Joe
Released : 1967
US chart position : 1
UK chart position : 13

More facts for Ode To Billie Joe
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